ADVICE FOR MODELS
Some quick advice and observations for amateur or beginner
models interested in developing a career in modeling.
This is just one photographer's opinion based on his
experience so far. It is not intended to apply to every model
in every situation, nor do I claim to have the definitive
answers. It is up to you to determine what, if anything, works
for you.
Note to photographers: This text is simply my opinion
and based on my experience. It is not directed at any
individual nor should it be taken personally. Those who may be
offended or threatened by this content should ask themselves
why.
Note to models: This text is not intended for all
models. If you find yourself offended by it, you should ask
yourself why, and then think about whether what you find
offensive is really intended for you.
0.
Keep in mind that every photographer probably has advice
to offer. Not all of this advice is necessarily accurate
nor does it apply to every situation or every style of
photography. This includes the advice that follows.
It is always up to you, the model, to determine what works
best for you. It is also up to you to not take every word of
advice as gospel.
Believe it or not, your most valuable asset is actually your
brain. Use it. Common sense is great, but it's really not that
common.
Continue to learn what you need to know and also adapt what
you've already learned to different situations. There is no one
"right way".
1.
Stop TFP'ing yourself out of a potential career. If a
photographer is offering to work with you for free, or
worse, is offering to pay you, be selective about who you
work with. Shooting with photographers who don't have the
necessary skills to provide you with outstanding photos is
not helping your career.
2.
If a photographer doesn't value the services he has to
offer you, you should ask yourself why you should value
what they have to offer?
3.
Photographers who provide the majority of their services
for free are not likely to hold themselves to the same
standards as those who make a living from their services
professionally. They don't have to. It's not how they make
a living. And if they're actually offering to pay you,
what is their incentive to provide you with prompt and
professional service?
I've heard countless stories from models about photographers
whose behaviour was less than professional. I always have to
ask, were you working with a professional photographer (someone
whose soul source of income is from the photography services
that they provide)? And they almost always exclusively say,
"No".
It's worth noting, however, than even professional
photographers will occasionally provide their services for free
or at reduced rates. Often this is done for testing purposes or
under special circumstances.
4.
Making money from photographers who pay you out of their
own pocket is not a career and is not professional
modeling. While getting paid to model for photographers
may seem like a nice source of income, unless you are
working on real projects, for real clients, with resulting
tear-sheets, this is not "professional modeling" and is an
eventual path to obscurity.
5.
Do your homework. Find photographers who provide work that
fits a particular style you are looking for. Keep your
standards high and don't settle for less.
6.
If a photographer is offering you pay you, ask yourself
why. What is the photographer's intentions with the
photographs? How will he ever offset the cost of paying
you? Is he shooting photos for stock photography or for
submissions to magazines that will pay him if the photos
are published? Or is there simply no intention to recoup
on his investment?
If his intention is to not make money from the photos, then
is he simply paying you because you're pretty? Is he paying you
to see you wear lingerie or take your clothes off? What is he
getting out of the opportunity? Experience?
It is true that some photographers' only opportunity to work
with experienced models is by paying them. And out of this
opportunity a photographer can gain valuable experience and
learn a lot about the process...but he can also learn a lot
about the process by working with mannequins. However, if a
photographer is consistently paying models to work with him,
think about what that motivation might be.
7.
Those who are serious about their career know that it pays
to work with professionals. They also know there are no
shortcuts to success. Modeling is a lot of hard work and
often a significant investment. Often this means paying to
work with the people who value the services they have to
offer. A single outstanding photo taken by a professional
can help elevate your career, but 100 mediocre photos will
do nothing but hold you back.
8.
Already have a portfolio? Throw out the trash. Be
selective of what you find worthy of putting on display.
One good photo is more effective than 10 crappy ones. Your
portfolio (printed or web version) is not a scrapbook. It
is not a place to put photos simply because you want to
record the fact that you had a shoot with some
photographer somewhere.
Not every photo taken from a shoot is noteworthy. In fact,
depending on who you work with, sometimes none of the photos
from a shoot are noteworthy. And if they're not noteworthy,
keep them out of your portfolio.
9.
If you have more than 10 photos in your portfolio, then
ask yourself why and be sure that every photo is justified
and has a specific reason for inclusion in your
portfolio.
Your portfolio should be reserved for the best of the best.
Each photo should present itself in a way that says "quality"
and "professional". If you have a photo in your portfolio for
sentimental reasons, save it for your family & friends, but
do not put it in your portfolio.
Although it may pain you to hide some of those lesser
quality photos, just remember that quality over quantity will
get you further in the long run.
Note: This "less is more" rule generally applies to
photographers as well. Why then does my site contain multiple
images of the same model? Because showing multiple images of
the same model during the same shoot helps demonstrate an
overall consistency and quality in my work.
10. No
divas. Being beautiful does not make you special. It does
not make you entitled to get paid simply because you are
attractive. Beautiful people are a dime a dozen. If you
wish to be successful in modeling, it takes a lot more
than being good looking.
Having a good attitude, being professional, reliable, on
time, serious about what you do, and being a pleasure to work
with are factors that will help. Really want to help your
career? Then be the type of person that leaves the people you
work with with a positive impression that makes them want to
say nice things to others about you.
11.
Why isn't that professional photographer agreeing to work
with you for free, or "ACK!", offering to pay you? Because
after a lot of hard work, years of experience, and
significant investment, he now makes a living from people
who pay him for his services. He has paid his dues.
He knows his work and services are valuable and he has to
ask himself why he would work with something who doesn't put
any value on his services, when he can work with others who
do.
There are thousands of beautiful people, just like you, who
wish to get into modeling or who are doing so on an amateur
level. Those who are serious about it and work hard at it are
more likely to be successful than those who don't. You have to
pay your dues like everyone else.
Additional Points:
12. I
am not suggesting models should not be paid. I am
suggesting that one should think about their expertise,
experience level, and from whom they are expecting to get
paid (and why).
13.
There is a difference between getting paid by
photographers who pay you out of there own pockets and
getting paid by clients who hire you to perform a
professional service.
Professional models get tear-sheets and tend to work for
professional and reputable clients. These clients are usually
very selective about the models, and the types of models they
hire. They generally do not with models at random and they do
not simply pick the first "pretty people" that come along.
Models who get paid out-of-pocket by photographers and then
call themselves "professional models" is like someone who mows
lawns during the summer calling themselves a "professional lawn
mower".
14.
Photographers cannot typically guarantee you tear-sheets
unless they are working on their own personal project.
Usually they are working for someone else, such as a
publisher, who makes the final call.
Whether you make it into print or not can almost only be
determined after your shoot and depends on the quality of types
of photos taken. There are, however, exceptions to everything,
so use your common sense.
15.
The industry is full of people who will tell you just
about anything that they think you want to hear in order
to get what they want. The industry is also full of people
who are, in fact, honest, trustworthy, worth working with,
people who mean what they say, and are also willing to
help you attain your goals. The hard part is
differentiating between the two. Again, your most valuable
asset is your brain.
16.
Having "some modeling experience" is not the same as being
a professional model. Yes, maybe you've invested in some
clothes (perhaps you've invested a lot), you are
comfortable in front of a camera, and you have your poses
down.
A professional photographer, and by "*professional
photographer" in this case, I mean someone whose soul source of
income is from photography, still has a lot to offer you.
*There will always be debate about what a "professional
[anything]" is.
A. A professional photographer has generated enough demand
in his service and abilities to make a living from it. This is
saying a lot considering that photography is very expensive,
including thousands of dollars worth of equipment, costly
studio rental space (if he works in a studio), liability
insurance (to cover you if you have an accident), and that
nearly 30 percent of his income goes directly to taxes (no,
that is not fun).
B. A professional photographer often has years of
experience. Experience doesn't necessarily signify that he's a
good photographer, but if you are considering working with him,
then hopefully he is. This experience can be valuable. A
professional photographer has (hopefully!) worked with a lot
more models than you've worked with photographers.
|